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Who can say how many bought the album subliminally as a result?A lively reworking of Anton Karas's three years earlier) and number one on the Cash Box chart in December.While there are quite a few record company owners who have doubled as recording artists, none were quite as successful as Herb Alpert when it came to burning both ends of the candle; it wasn't an easy thing to accomplish, nor did his career play out quite like he intended.One thing's for certain: those trumpet lessons he took as a child paid huge dividends!Growing up in Los Angeles, he had been playing the instrument ten years by the time he graduated from high school in 1952. he tried to start an acting career, but had only one small nonspeaking part in Cecil B.The plan was to become a jazz musician, but an Army stint turned that idea into a two-year bugle-blowing exercise. De Mille's (a novelty "break-in" record in the style of Buchanan and Goodman), released in late 1958 under the thinly-disguised pseudonym Herb B. Next up: Herbie Alpert and his Sextet on the Carol label with was credited to Cooke's wife, Barbara Campbell, though the truth was later revealed as to the song's true authors (Cooke-Adler-Alpert) and subsequent versions, including hit remakes by Herman's Hermits and Art Garfunkel, have shown the corrected songwriter credit.Alpert's Brass made a near exact copy of the arrangement, releasing it on a 45 in early '65 and then as the lead track on the album .The cover photo of model Dolores Erickson (hand-picked by Herb), nude (or so it seemed) and covered with cream, has become one of the most famous of all album covers, a fantasy figure for many young boys whose parents owned the album!
Alpert's music had worked its way deep into '60s pop culture.Herb and the TJB were on a roll; TV game show producer Chuck Barris must have been a fan, as he used , which debuted in December.Factoring in radio play and use on radio and TV commercials, the instrumental Brass tracks had effectively become part of the background music of people's daily lives.At about this time Alpert purchased Charlie Chaplin's 47-year-old Hollywood movie studio lot at the corner of Sunset Boulevard and La Brea Avenue (Chaplin had already sold the property in 1953 and it had gone through a few different owners including actor-comedian Red Skelton).Alpert and Moss converted two of Chaplin's sound stages into a recording studio while keeping most of the historic film lot intact.